I am so excited about our new friendship with a fantastic team of “Balkan Sampler” event at the American University, planned for November 5th, 2011.   

We just started reading through Hotel Europa by Macedonian playwright, Goran Stefanovski, and discovered so many possibilities for all the characters and scenes.  It seems as we were thrown on a train traveling through so many interesting sites.  Each scene took us to a different world, different artistic adventure.

It is a truly fantastic ride and I am so happy to have such wonderful group of actors and students to work on this play.  The author, Goran Stefanovski gave us all a chance to get the wings and fly.

I am so grateful to Joe Martin, who has invited Ambassador Theater to be part of Balkan Sampler.  He brought together a fantastic group of directors, Gail Humphries-Mardirosian, Peter Karapetkov, Marietta Hedges and a group of the Balkan countries Cultural Attaches, members and students from the Department of Performing Arts and the Center for Global Peace (SIS) at American University as well guest actors to create such an interesting event bringing to DC plays from Albania, Bulgaria, Macedonia, Romania and Serbia.

I am working with great actors and students, don’t miss their performances:

Hotel Europa by Goran Stefanovski (Republic of Macedonia)

Directed by Hanna Bondarewska

Room 1: Europeretta: The Bellhop – David Berkenbilt,

Husband – Frank Turner, Mother in law – Elizabeth Bartlotta

Wife – Kendall Helblig

Room 2: Do Not Disturb: Social Worker - Jordan Van Clief

Odysseus – Grant Rosen, Circe - Laura Bruns

Room 3: One-Night Stand: Maitre D’ Hotel – Mary Suib

Young Man – Sean Sidbury, Prostitute – Jordan Van Clief

Room 4: Room Service: The Receptionist – Ray Converse

Visitor - Jeffrey Flynn Gam, Professor - David Berkenbilt

Room 5: Hotel Angels: Daughter – Kendall Helblig

Angel - Charles Merrick, Drifter - Jordan Van Clief

Room 6: Maiden Voyage: The Caretaker - Frank Turner

Bride - Jacqueline Toth, Bridegroom - Grant Rosen

Grand Hotel Casino Europa: Prince Igor - John Stange, Ivana - Izzy Bartlotta

Krt, Igor’s bodyguard – Frank Turner, Mama - Rachel Silvert

 

Come and see our adventures November 5, 2011 at 2 p.m. or 8 p.m. at the Katzen Center at the american University.

 

 
Notes from the Rehearsals
October 17, 2011
Discovering Stanislaw Ignacy Witkiewicz (AKA WITKACY)
(1885-1939) Dramatist, poet, novelist, painter,  photographer, art theorist, and philosopher, Witkacy was  one of the leading members of Poland‘s poetic and artistic  avant-garde of the first half of the 20th century.
Read through the play of “The Madman and the Nun”
- Life and Death of Witkacy
- Witkacy’s Demons
-Did he really die or it was his another trick?
- Interesting concept and various ideas about his life, death and  artistic mind
October 21, 2011
Discovering the style of Witkacy’s Pure Form in the theater
how his theory applies to the theater
-analyzing his paintings and portraits and photographs
- reading the play with various voices
- searching for various voices, emotional states, levels
October 24, 2011
- Read though the entire play
- analyzing the characters and the relationships
- playing with the rhythms, tempos, traveling from one emotional state to another
October 26, 2011
These are the different ideas we had in this read through of the script:
- A shrieking of madness
- The switch of sanity between Walpurg and Anna
- Finding more fluidity for Walpurg
- Finding clarity through the chaos
- Finding Grun’s actions through frustration and desperation. He can come off as rigid and condescending
- The play is sounding like sandpaper, rough and gritty
October 27, 2011
All the characters seen through the Walpurg’s eyes are machine like with its own set of parts that move, talk and react within the confinement of the machine’s – values, ideas specifications,agendas. At the end the machines malfunction and all the characters turn into a pulpy mass.

 

 

The Ambassador Theater is delighted to present The Madman and the Nun or, There is Nothing Bad Which Could Not Turn into Something Worse by Stanislaw Ignacy Witkiewicz (aka Witkacy), a short play in three acts and four scenes.

The Madman and the Nun is set entirely in a “cell for raving maniacs” in a lunatic asylum, where we meet the madman of the title, the poet Alexander Walpurg, who has been confined here with acute dementia praecox.  We are part of a scientific experiment lead by Dr. Grun and his Freudian preconception of curing the patient with the help of Sister Anna, a nun. The author flamboyantly turns everything and everybody into the confusion between the sanity and madness. The play is a strikingly funny attack on both medicine and academia and man’s futile attempt to control the “demons” of existence. Stanislaw Witkiewicz (1885-1939) was a Polish playwright, novelist, painter, photographer and philosopher. “He created a theater of the absurd twenty years before Beckett, Ionesco, and Genet. He himself was a living model of the avant-garde, advancing the frontiers of drama, fiction, aesthetics, philosophy and painting.” Daniel Gerould

 

 

 

 

Ambassador Theater is looking to hire a Stage Manager and Set Construction Crew for the upcoming production of “The Madman and the Nun” –Previews Nov. 29 and 30, Opening December 1. The show runs Th. – Sundays until December 18, 2011

The rehearsals will start 2nd week of October.

Please submit your resume with the cover letter at: ambassadortheater@aticc.org

 

Ambassador Theater invites you to a casting call for a production of “The Madman and the Nun” by Stanislaw Witkiewicz (aka Witkacy), translated by Daniel Gerould, directed by Hanna Bondarewska on Monday, August 8, 2011 from 6-10 p.m. at the Watergate at Landmark, Community Center ( Entrance from the swimming pool side), 205 Yoakum Pkwy, Alexandria VA 22304
We are also casting for the rest of the season as well!
Make sure to get your parking pass at the main entrance to Watergate and leave on your dashboard Tell the guard that you are coming to visit Hanna ( When you register on this website–get your specific ticket your name will be already given to the guard as well)–enter the Watergate and drive in, the swimming pool will be on your left, you may look for a parking at the parking lots. Until 10 p.m. you are fine to park anywhere, follow the signs.
The show will open December 1, 2011 (Previews November 29 and 30) at the Flashpoint, 916 G Street NW Washington DC and it will run Th-Sundays until December 18, 2011
We looking to cast the following characters:
Walpurg (Poet)
Nun Anna
Nun Barbara
Dr. Bidello
Dr. Grun
Professor Waldurf
Two attendants
Please pick one ticket that has a specific time slot for your audition, come earlier to get ready to read from the script. Please bring your resume and a calendar. If you have any questions, please e-mail me at artisticdirector@aticc.org or call at (703) 475-4036.
Break a leg!
Hanna

– Register online: Event Calendar

 

Few months ago my dear friend, Stas Wronka, called me saying that he would like to introduce me to a very talented writer and composer who has written an interesting musical related to Jewish culture.  A week later he came with Art Levine to one of our shows at Flashpoint with the script and a tape with a snapshot of the musical that was previously successfully produced by the Sandy Spring Theater Group in Gaithersburg in June 2010 but was never produced on the professional stage.  I learned from Art that “Called Up To Life is a  new musical blending the sounds of klezmer and Yiddish theatre with the power of Hasidic storytelling.  The musical begins as a group of Italian Jews, preparing for the Sabbath, are interrupted by a mysterious caller.  This caller claims to have been the assistant to the legendary Baal Shem Tov.  When asked to relate his experiences, the caller loses all memory.  The Italians tell the rollicking stories they know, outlining the life of the Baal Shem Tov.  Still, the caller remains mute.  Finally, the caller remembers a story that has immediate implications for the group and resolves all outstanding issues. ”

I listened carefully and with each word I became more and more interested in the work and grabbed the script and a tape and promised to read it and get back to Art.

A week later our brainstorming begun.  I was thinking that the only way to produce the show is to have live musicians but that would bring the cost of a production to big numbers so I offered first to do the show as a Staged Reading with the recorded music or with the piano.  We started immediately searching for the best venue, we wanted to find the best place that would get most interest and create a buzz.  I thought of many places around the area, Flashpoint, Synagogue, The Lyceum and more.  Stan introduced me to director, Stan Levin with whom we met at Bus Boys and Poets and continued our brainstorming.   we are hoping to bring to live the show in June.

More will develop soon.  We became very excited and looking forward to see the project on stage.  Collaboration and good partnership is the key word for us now.

 

Reading beautiful poems by Pawlikowska-Jasnorzewska, Poswiatowska, Karol Wojtyla, Baczynski and others, most prominent Polish poets has been a fantastic way of venturing out from today’s world dramas.  Listening to music and songs of Osiecka, Mlynarski, Grechuta, brought tear to my eye, those years will never come back….  Luckily we do have many great recordings of those who are not with us any more and now I would like to bring some of their songs and poems back in our next gathering May 15th at the newly formed Literary Cafe at the Kosciuszko Foundation on O Street in Washington DC.

I was so happy to hear that Ivo Kaltchev, an accomplished concert pianist will join us May 15th!

Ivo Kaltchev                                    

Associate Professor, Chair of Piano Division

Prizewinner of international piano competitions and a Bösendorfer Artist, Ivo Kaltchev is enjoying a successful performing career as recitalist, soloist with orchestras, chamber musician and recording artist. “Formidable technique” (Piano Journal, England), “possesses the genius of rubato”(Diapason, France), “superb musicianship” (Phar, Israel), “distinctive and original” (Soviet Culture, Russia), “impressive” (Frankfurter Neue Presse, Germany), “most beautifully and idiomatically played” (International Record Review, England), “glittering,” “ big technique” (The Washington Post, USA), “his tonal qualities are astounding…first class” (American Record Guide, USA), “fine” (Fanfare, USA), “a master of the whole range of pianistic attacks and coloristic effects” (The Star Ledger, USA) – these are some of the words which music critics have used to describe Mr. Kaltchev’s unique artistry.

Dr. Kaltchev has performed in musical centers throughout the world, includingLincoln Center’s Alice Tully Hall, Kennedy Center, Moscow Tchaikovsky Conservatory Malii and Rachmaninov Halls, St. Petersburg State Philharmonic Hall, Warsaw National Philharmonic Hall, Salle Moliere (Lyon, France), Teatro Verdi (Salerno, Italy), Tel Aviv Museum Recanati Auditorium (Israel), Mendelssohn Hochschule für Musik Hall (Leipzig, Germany), Princeton University’s Richardson Auditorium, the Library of Congress, and the Bulgaria Great Hall.

He has performed and taught at music festivals throughout the world including the Washington International Piano Festival (Washington DC),  the European Academy for Music and Arts (Montepulciano, Italy),  the Chinese-American International Piano Institute (Changdu, China), the Perugia International Music Festival (Italy), Nancyphonies International Music Festival (France), Mozart International Music Festival (Frankfurt, Germany), the Toledo International Music Festival (Spain), the Sofia Music Weeks International Festival (Bulgaria), the Lincoln Center French Music Festival, the Prague Spring International Music Festival (Czech Republic), the Varna Summer International Festival (Bulgaria), the Rutgers SummerFest (USA), Vivace International Music Festival (USA), and Florida University Young Pianist Festival (USA). Some of the highlights of recent seasons include both a solo recital and a concerto performance with the New York Festival Orchestra (now EOS Orchestra) in Alice Tully Hall, performances of the complete solo piano works of Debussy and the complete songs of Henri Duparc as well as concerts in the U.S., China, Russia, Germany, Spain, Finland, Bulgaria, Italy, France, Czech Republic and the Virgin Islands. A respected chamber musician, Mr. Kaltchev has collaborated with the New York Metropolitan Opera soloists Sharon Christman, Fabiana Bravo and Patrick Carfizzi; pianist Ilana Vered; Essex Quartet;  French actress Marie Christine Barrault as well as members of the New York Philharmonic, Boston Symphony, National Symphony Orchestra and Royal Concertgebouw Orchestra. Mr. Kaltchev performs regularly at the Moscow Tchaikovsky Conservatory with Russian pianist Prof. Irina Koulikova. His engagements for the 2010-11 concert season include recitals and master classes in the United States, Bulgaria, Thailand, Singapore, Portugal and China.

Mr. Kaltchev’s critically acclaimed commercial recordings on the Bulgarian “Gega New” label include an all-Charles Griffes CD (hailed by the French magazine Diapason as “the most accomplished interpretation known until now”) and a CD with the world premieres of solo piano works by the French composer Florent Schmitt. Mr. Kaltchev has been a featured artist for the New York City’s WNYC and WQXR Radio Stations, Radio Free Europe (Germany), Radio Moscow, Klara Radio Station (Brussels, Belgium), Bulgarian National TV and Radio, and many others.

Mr. Kaltchev holds the Doctor of Musical Arts degree from Rutgers University (USA), the Master of Music degree from Yale University (USA), the Bachelor of Music degree from the Sofia State Academy of Music (Bulgaria) and a Diploma from the Franz Liszt Hoscschule fur Musik (Weimar, Germany). His principal teachers include pianists Ilana Vered, Boris Berman, Milena Mollova as well as chamber musicians from the Guarneri and Tokyo String Quartets.

Dr. Kaltchev is a recipient of pedagogy awards for teaching excellence from the Piano Teachers Society of America and the Princeton Steinway Society. He has presented lectures, workshops and master classes at the World Piano Pedagogy Conference, the European Piano Teachers Association Conference, the American College Music Society Conference, the Improving University Teaching International Conference, the Yale University as well as in the United States, Europe, China, Korea and the Virgin Islands. Dr. Kaltchev is an active adjudicator and has judged the following international piano competitions: Maria Clara Cullell International Latin American Piano Competition (Costa Rica), Louisiana International Piano Competition (USA), Vladigerov International Piano Competition (Bulgaria), Jacinto Guerrero Piano Competition (Spain), Florida International Piano Competition (USA), Andorra International Piano Competition, International Young Artist Piano Competition (USA), Liszt-Garrison International Piano Competition (USA) and Los Angeles International Liszt Piano Competition (USA). Mr. Kaltchev’s students are prizewinners of more than 20 piano competitions and have performed with numerous orchestras including I Solisti di Perugia (Italy). Dr. Kaltchev is the Founder and Artistic Director of the Bulgarian Music Society Concert Series at the Bulgarian Embassy in Washington DC.

Currently, Dr. Kaltchev is Associate Professor of Piano and Chair of the Piano Division at the Catholic University of America in Washington, D.C. He is also a Visiting Professor at the China Conservatory of Music in Beijing, China and Co-Director of the Washington International Piano Festival in Washington DC. During the Fall 2010 semester, Dr. Kaltchev will be teaching at the Yale University School of Music as a Visiting Lecturer.

 

 

Hoffman Boston ES students become Ambassadors of International Culture

This season Ambassadors of International Culture Educational Program travels to ancient Egypt and China with the 2nd Graders of Hoffman Boston Elementary School in Arlington, VA.  

We have started coming to school twice  a week since October 2010 and helped the students to learn about the ancient worlds of Egypt and China  through the theater games and exercises.  The first few weeks the kids traveled on the world map and learnt about the continents, and major oceans.  They had lots of fun playing the games with the mnemonic devises as tongue twisters which helped them to memorize all the continents and oceans.  They have invented several rap songs with the continents and oceans while dancing around.  They played Echo Games with various character voices and with emotional expressions while reciting all the names.   Finally after few weeks of understanding where each continent is on the map they traveled to Egypt and China.

Reading the alphabet written in hieroglyphics and symbols became a  truly fun time for all kids.  They learned to visualize all the symbols through movement and memorized short poems about most important inventions, facts and monuments related to a specific country.

It was  so wonderful to watch them creating the pyramids, imitate the Sphinx or move as Pharaoh.  I cannot wait to see the final presentation June 7th!

It’s been a true pleasure to go to Hoffman Boston and discover the beauty of Ancient Egypt and China with kids who have so much to offer.

Now, we are excited to work with the Embassy of Egypt and China.  Few days ago I met with Mrs. Suzi Shoukry, wife of the Ambassador of Egypt, who graciously invited all the kids to visit her at the Ambassador residence in May and enjoy a nice exhibition of Egyptian art and little mummies while listening to Mrs. Shoulry talk to kids about her beautiful country.  There is going to be a surprise but I will talk about it later….

I also met with Mr. Tibin from the Embassy of China who has already prepared lots of materials in support of learning about China and to help us make our presentation more colorful.   We are already very excited about that too but the kids will find out later about it after they come back from their Spring Break!

You may watch us on the schools website: http://www.apsva.us/1553201016103444450/blank/browse.asp?A=383&BMDRN=2000&BCOB=0&C=66856

We will let you know more later!

 

We are very excited about planning our trip to Poland this summer.  The newly written book of stories is absolutely  fantastic and we hope the kids will love to work on it.      There is  still time to register and let your child to have fun over seas with the artists and kids in Zakopane!


Summer Theater Production Camp in Zakopane, Poland

August 15-August 27, 2011
In Partnership with the Foundation,  Ambasadorowie Kultury in Poland, Ambassador Theater is presenting its first interactional theater camp in Zakopane.

Children from the US and Poland will work together on a newly published book of stories, “Ksiezycowe Bajki”—‘The Moon’s Stories” by Ewa Odachowska-Zielinska.

They will also explore the beautiful Tatra mountains and Zakopane and discover the beautiful city of Krakow.

Zakopane near Witkacy’s Theater   
Ages: 9-15
Early Registration by April 30, 2011: $850
(Regular $1,000) Does not include airfare

To Register: www.aticc.org

For more information: ambassadortheater@aticc.org

(703) 475-4036

 

 

 

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