There are so many interesting people and places in the world but we did not find one as interesting and vibant as Nohant.  Turning the black box at the Mead Theater Lab at Flashpoint was a real creative effort. Thanks to a great artist, Andrzej Pinkowski, who used his artistic magical hand and eye and at a flip of a magic wand, he changed the place into a 19th century salon.

The three act play took us all on a great tour into a 19th century salon where we discovered the beauty of erotic passions, turmoil, and artistic inspiration, where “among kitchen squabbles- something so full of transcendental genius was being produced!” It has been a great pleasure to rediscover this very interesting play depicting a part of the lives of these very special people, George Sand and Fryderyk Chopin with such a great group of American actors and take them on a tour of France and Poland.  It has been a very interesting ride, full of passion; snow days and stormy weather which still did not stop us all from bringing some sun to “Summer at Nohant.”  Thank you to all its dear “inhabitants” for all their passion and hard work, especially my dear assistant Magda and her family who tirelessly worked to make our salon so beautiful and vibrant.  I love you all and let us all breathe in the very extraordinary air of Nohant!  Hopefully, we will come back to it very soon!

 

Dear Friends,

The Team of the Ambassador Theater wishes you all Happy Holidays and thank you to all of our Members and Supporters for all their help to make our inaugural season such a success!

As we enter this holiday season, we here at Ambassador Theater and International Cultural Center (ATICC) are celebrating the successes of the past year and looking forward to the next. ATICC is dedicated to reaching out to a larger audience in 2010 and we need your help to do so! DSC_8018HelenaLectureChrisProfessor

2009 Season Highlights

The 2009 season was such an exciting time for ATICC. From our sold-out production of Sławomir Mrożek’s Out to Sea to the spirited presentation of Hopa Tropa! during Kids Euro Festival 2009, we have been able to put on some of the most entertaining, educational, and culturally diverse performances in the D.C. area.
This year, we collaborated with many local and international community leaders, including the Embassy of the Republic of Poland, France, the Embassy of Sweden, and Bulgaria.

HopaTropa at Embassy of Sweden Our works have been performed at the Shakespeare Theatre, Kennedy Center, the Arc Center, and Flashpoint Theatre, as well as various embassies. We have been featured on Fox News and NBC.com and have received many good reviews and great audience respond. Not ones to merely rest on our laurels, we are dedicated to expanding the variety and range of our programming next year in order to promote cultural awareness and the performing arts to even greater audiences.  But we do need your help!

All of us here at ATICC highly value the trust you have placed in us to be the best new theater in Washington, DC. It is my sincere hope that you will consider making a first time gift to help us expand and enhance our programs.  You may visit our website, www.aticc.org to learn about our events and programs and make your contribution on line, www.aticc.org/about/youcanhelp

I thank you in advance for your consideration and extend my best wishes to you for a joyful holiday season!

Sincerely,

Hanna Bondarewska and a Team of the Ambassador Theater

 

Helena Modjeska by Tadeusz Ajdukiewicz, 1880 I’m very humbled to introduce to you Madame Helena Modjeska  (Modrzejewska), the Polish-American Shakespearean icon of the 19th Century, in  whose footsteps many actors would have loved to follow. Thanks to Professor  Braun and his writing, I was inspired to further research the life of this  mysterious and intriguing personality. I started to dream about all the amazing  roles she performed in her life, and fantasized about her railway car tours of the  United States. I even thought of building a special train to take our shows on the  road, all in the name of Helena. Who was Helena Modrzejewska? How can we  suppose to know when, during her life, she asked herself the same question? Mr.  Braun in his work conveys this palpable uncertainty in Modrzejewska’s own  words: “Who am I in reality?…Helena Modrzejewska, or Countess Modjeska…A  fake, or an aristocrat? A player, or a woman?..An usurper, or a legitimate queen?…American or a Pole? I do not know.” Do we know who we are in reality?  Although we are not playing our roles on stage as Helena did, we inhabit the  various roles in our lives, that of the father, the mother, the friend, at work, at home,…with the same fervor. With the development of technology and information, and the increasing speed our lives gain, we take upon ourselves unfamiliar roles and tasks. The line between reality and artifice is blurred. This dichotomy is one that fully concerned Modrzejewska. We see it in the passion of her performances, both on and off the stage. The conviction with which she lived her life is an emblem of the powerful sense of mystery and enchantment the theatre holds over all of us. Most amazing to me is the innate ability of my American actors to take on the ambitious task of portraying a group of iconic Poles! Without their commitment to their roles, and their eagerness to learn more about the rich lives of Modrzejewska and her friends, the intimate portrait we present to you tonight would have been impossible. A toast to you Madame Helena and to you, her audience!

 

As we begin to move through this summer and finish the run of our inaugural production, our thoughts are immediately moving onto our exciting projects for the fall and winter. “Hopa Tropa” is just one of our upcoming creative projects that will bring a colorful taste of Bulgarian culture to the DC area.
“Hopa Tropa” began as an idea to continue with Ambassador Theater’s mission to highlight international cultures and bring them to the DC area. After working with Polish theater, we enthusiatically moved to working on Bulgaria. And what better way to bring the color, fun, and excitment of Bulgarian culture, than through a children’s show! We began searching for a piece to work on, going so far as to contact artists at famous children’s theater in Varna, Bulgaria, who informed us that the particular piece we were interested in was created experiementally through improvisation, and no written draft was available. Brainstorming on what next to do, we decided to write our own piece, dubbed by Lilia Slavova “Hopa Tropa!”, after a spirited jump in a dance. With this kind of spirited spontaneity, “Hopa Tropa” was born.

 

The Story Behind Ambassador Theater…

But for me bringing this production to DC has been the culmination of many years of training, teaching, growing, and dreaming.

Growing up in Warsaw, Poland, I spent my early years soaking up the best of Polish theater and poetry, including works by one of my favorite playwrights, Sławomir Mrożek. My love for his work has brought me from Poland, to Florida, and now to DC.

But my interests are not limited to Polish Theater. After working and traveling with various theater groups and outreach programs, I realized my dream: to form a theater company. But with so many mainstream theater companies in work already, I knew it would be best to bring my experience and the experience of others together in an International Theater. Its mission would be to build cultural awareness through a forum where artists from all cultural backgrounds can share their passion for the arts.

This idea first came to me while watching a parade for the Athens Olympics. Amazed by the group of Americans there (over 300 million), I thought–

“If only 60,000 Americans gave me only one dollar, I would build a theater.”

Years later, my dream would return.

Continuing my love of sharing and learning about other cultures, I spent several years teaching theater to younger students in the DC area. After one particular day teaching drama class for 4-6 years old, one of the student’s parents approached me, thanking me for the work I had done with her son. She then asked:

“When are you going to get started on that theater of yours???”

I immediately thought back to that moment in Athens and explained the financial difficulties with starting a brand new theater.

“Here Ms. Hanna, here’s one dollar for you to start the theater!!”
The son of the parent who was speaking, Thomas, reached into his pocket to produce a brand new dollar bill.

I was overwhelmed by the generosity and hope of a child, and I still keep that dollar to this day.

 

I am delighted and excited to kick off our 2009 season with the DC premiere of Sławomir Mrożek’s Polish masterpiece “Out at Sea”!

Mrożek’s work resonates today just as well as it did in 1961 when the play was first written. His work follows in the tradition of the Theater of the Absurd, using witty dialogue, sharp juxtapositions, and comedic distortion to point out the follies of human nature. “Out at Sea” explores the intrusion of class, politics, and Darwinian natural selection even in the smallest communities.

Working on this production with American actors has been a fascinating process of rediscovering Mrożek again. As a group we have explored various possibilities and interpretations of the play in a new 21st century context. The rest we leave for the audience.

© 2011 ATICC Green Room Suffusion theme by Sayontan Sinha